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In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience.
Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture -- a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
- Sales Rank: #174785 in Books
- Published on: 2015-01-30
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .56" w x 5.38" l, .0 pounds
- Binding: Paperback
- 280 pages
Review
No prior work has so firmly established that neuroscience and aesthetics can be mutually illuminating. Informed by her rich knowledge of art history and literature, Starr deciphers brain scans with unprecedented subtlety, drawing important lessons about the embodied nature of aesthetic experience and the hidden unity of seemingly disparate arts.
(Jesse Prinz, Distinguished Professor of Philosophy, CUNY Graduate Center; author of The Conscious Brain, Beyond Human Nature, and Furnishing the Mind)G. Gabrielle Starr exhibits a rare constellation of skills: a fine literary sensitivity coupled with extensive knowledge of recent work in neuroscience. As a result, Feeling Beauty represents a new level of excellence in neuroaesthetics. This groundbreaking field is lucky to count G. Gabrielle Starr among its finest practitioners.
(Tamar Szabo Gendler, Vincent J. Scully Professor of Philosophy and Chair, Department of Philosophy, Yale University)An ambitious text...exciting as it is timely... Feeling Beauty is at its best when Starr is engaged in close reading leading the reader step by step through a careful explanation and elucidation of a body of text with the aid of her model...clear, legible, and, frankly, a delight to read.
(Journal of Aesthetics and Art Criticism)Feeling Beauty by G. Gabrielle Starr is an elegantly written (lucid and even literary) examination of the neurobiology of aesthetic experience crossing poetry, visual art, and music.
(Consciousness, Literature and the Arts)Feeling Beauty, however, is distinctive in both presenting new research on the regions of the brain activated by intense aesthetic responses and suggesting the ways in which this research might open up a new, dynamic understanding of aesthetics.
(Modern Philology) About the Author
G. Gabrielle Starr is Seryl Kushner Dean of the College of Arts and Science and Professor of English at New York University.
Most helpful customer reviews
11 of 11 people found the following review helpful.
My feeling toward "Feeling Beauty"
By Mohsen Janatpour
I like the author's in depth treatment of aesthetic experience from a neuroscientific perspective. She presents a nice overview of the findings of neuroaesthetics along with an extensive annotated bibliography. Her treatment of the commonality of sister arts is delightful. But most of all, I find her unification of the arts through the workings of the brain a fascinating first step toward the understanding of the arts and their relationship to human experience.
9 of 10 people found the following review helpful.
An impressive accomplishment
By Read-Only
The book tackles an incredibly complex issue, how our aesthetic sense is unified across different art forms, with evidence from brain scanning experiments. I am familiar with the psychological and neuroscience techniques, and these are all described accurately and conservatively, unlike many pop attempts to use brain data to explain everything. Starr is too sophisticated to engage in reductive explanations like "beauty is detected by the anterior commissure." Nonetheless, she is able to cast new light on questions such as how our reaction to literature approaches our reactions to reality... or in some cases surpasses it. She also spends considerable time investigating whether our responses to different art forms are similar or different.
The writing is not necessarily simple, even as it is well written. I had to read many sentences twice. Given that the book will be of relevance to those interested in literature, neuroscience, and aesthetics more generally, my suspicion is that different readers will find different portions hard and easy going. Nonetheless, at the end, I was very glad I had read it. Based on my familiarity with the cognitive neuroscience literature (but lack of familiarity with the humanities end of things), I suspect that this book is state of the art. Being able to understand and describe studies from experimental psychology, neuroscience results, theories of aesthetics, and literary analysis is a collection of skills that very few people in the world have. A most impressive accomplishment.
3 of 10 people found the following review helpful.
Beauty minus feeling
By cloudpeak
This book reads like a thinly-edited dissertation, and for me, was too narrow in its scope (as dissertations must be). The style belies the title.
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